Soprano Angel Blue withdraws from Italy opera over blackface controversy

American soprano Angel Blue said she will not be performing in an upcoming opera in Italy following a controversy over the use of blackface.

Blue was set to join the cast of “La Traviata” starting July 22 at Arena di Verona, but the singer pulled out of the show after finding out the theater “made the decision to utilize blackface makeup” in the staging of a different opera performance this summer, she said in an Instagram post Thursday.

“Let me be perfectly clear: the use of blackface under any circumstances, artistic or otherwise, is a deeply misguided practice based on archaic theatrical traditions which have no place in modern society. It is offensive, humiliating, and outright racist,” her post reads.

“I was so looking forward to making my house debut at Arena di Verona singing one of my favorite operas, but I cannot in good conscience associate myself with an institution which continues this practice,” Blue added.

The Arena has been putting on performances of “Aida” based on a 2002 staging of the opera classic by Italian director Franco Zeffirelli, who died in 2019. That staging uses blackface. Showings are scheduled in July, August and September, according to the venue’s website.

In a lengthy statement Friday, the Arena di Verona said “Angel Blue knowingly committed herself to sing at the Arena” even though the “characteristics” of the 2002 Zeffirelli staging were “well known.”

“We have no reason nor intent whatsoever to offend and disturb anyone’s sensibility. We reach with deep emotions people from different countries, from different religious contexts, but for us all people are equal,” the statement reads, according to OperaWire.

The Arena of Verona Foundation also invited Blue, who is Black, to meet with Arena officials and have a dialogue over the issue “in effort to understand others’ point of view, in respect of consciously assumed artistic obligations.”

A spokesperson for the theater previously told OperaWire it could not change the production due to the company’s “philological approach.”

“As long as we don’t have a new production, we follow that philological approach. We must respect the historical truth,” the spokesperson said.

This is not the first time the use of blackface makeup for a staging of “Aida” in the same theater has sparked outcry from a soprano.

In 2019, opera singer Tamara Wilson, who is white, protested against darkening her face to sing the title character of an Ethiopian woman in the opera at the Arena.

Courtney Brogle and Associated Press contributed.

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